Red Gate Gallery London

Traces of T.E Lawrence

tschallener — Fri, 27 Aug 2010 07:00:29 +0000

UK debut exhibition of works by renowned desert painter Carsten Westphal, tracing the footsteps of Lawrence of Arabia through the Jordan Desert

Private View: Friday 27th of August 2010 - 6.00 pm to 11.00 pm
Exhibition runs from: Friday 27th of August - Monday 30th of August 2010
Gallery Opening Hours: Fri: 11.00 am to 6.30 pm
Sat/Sun: 12.30pm - 5.00 pm
Last day of Exhibition: 30th of August: 10.00 am to 5.00 pm

The rough and fine structures of the dried-out, torn soil, the burst coarse gravel, the sand dunes that the winds have formed, all this draws the artist Carsten Westphal to the deserts.

Westphal travels to these landscapes by jeep, on camels or on foot in order to find the perfect location for painting: In the Sahara desert, the Indian desert Thar, on Mount Sinai in the Sinai desert, in the Arabian desert of Syria or on the desert islands Boavista and Sal in the Atlantic, the dried-out salt lakes, the coarse rock-strewn landscape of extinct volcanoes and in dried up, dusty rivers. He mixes the materials, which he finds there, the salt, the sand, the soil and the dust pigments, with colour pigments and bonding agents and applies them onto the canvas using trowels and brushes. Thus, he creates telluric landscapes, mirror images of the elementary powers, which created these landscapes, structure paintings, which can only develop like this in the deserts. (Extract from C.Cühl article on Carsten Westphal, desert painter)

In the same vain Westphal embarked on a new series that lead him to the desert sands of Jordan where he traced the footsteps of enigmatic historical figure T.E Lawrence, better known as Lawrence of Arabia. Westphal, yet again travelled on foot, by camel or by Jeep from Amman to Aqaba right into the heart of Wadi Rum, where he created several large format pictures. He than trekked on through the desert’s ever changing and rough terrains until reaching Azraq Oasis, where T.E Lawrence spent the winter in 1917/18 shortly before Lawrence conquered Damascus with support of the Arabian tribesmen.
Continuing to discover T.E Lawrence’s itineraries, Westphal pushed on towards Qasr el Asraq or the ‘Blue Fortress’, a place steeped in history that was first used by the Romans as a strategic military point, later it was restored by the Memelukes in the 13th century. Here more desert pictures were painted. His last stop was in the mystical city of Petra, established sometime around the 6th century BC as the capital city of the Nabataeans.
Though T.E Lawrence was Westphals initial inspiration for this amazing journey, yet what calls this unusual artist time and time again is the breathtaking and menacing beauty of the desert. Like travelling into the lion’s mouth, no matter which desert Carsten Westphal will voyage deep into its heart and immortalise it within his stunning pieces. The T.E Lawrence series will be for the first time on show at Red Gate Gallery from August 27th to August 30th 2010.

Westphal himself says, “The desert is menacing and still it is the basis for all being. It leads me back to the elementary things in life. The desert sharpens my senses and makes me aware of the limits of the human body. There is no landscape in our world, for which I feel more desire and passion, which at the same time challenges me more than the desert. It is the vastness, the enormous quiet, the absence of diversions, which create the perfect conditions for the concentration on the essential.”…

Without a script

tschallener — Fri, 20 Aug 2010 07:00:00 +0000

An exhibition of photographic and painting works featuring contemporary artists:
Sarah Crew, Andrew Ferguson and Chris Holman

Private View: Friday 20th of August 2010 - 6.00 pm to 11.00 pm
Exhibition runs from: Friday 20th of August - Thursday 26th of August 2010
Gallery Opening Hours: Fri, Mon, Tues, Wed: 11.00 am to 6.30 pm
Sat: 12.30pm - 5.00 pm
Last day of Exhibition: 26th of August: 10.00am to 5.00pm

In the beginning, the artists are connected by their revisiting of the natural landscape through photography, drawing and video with each artist showing their individual experience and contrasting engagement with the landscape.

Once the curtain rises, these artists encourage the audience to take time to explore with them, their very individual, beautiful and delicate trips into their local, natural landscape and follow each story as it unfolds along the gallery walls.

The finale gives the spectators the opportunity to explore, engage and interact with this wide variety of work, encouraging exploration of their own surroundings, noticing their habitat and seeing how the artists bring beauty back to the forefront of nature and into the gallery.

Sarah Crew: These photographs show the result of Crew picking her way through the British countryside with her camera, and a variety of animals to assist in her imaginative combination of storytelling and emotional commentary. Suburbia is expanding and as the countryside decreases to cater for the ever-growing population, the boundaries between town and country become ever closer, crawling and clambering over each other to claim the diminishing green grass that remains. In a playful and inquisitive photographic investigation, these photographs explore the current living habits and concerns of both the city and countryside dwellers, in following the interaction between human and animal.

Andrew Ferguson: ‘Round In Circles’ uses the process of repetition and freedom as a means to create this body of work. By revisiting the same location, Farnham Everglades, an area of swamp land which was once cultivated but now left to its own devises has become a haven for wildlife, and using the technique of double exposure on the negative a series of circular photographs is produced. These photographs are then printed on to drum skins and taken back to the swap where a 30min improvised sound performance is played, bringing the repetition process to a conclusion. The performance piece is recorded through video and photography.

Chris Holman’s drawings are developed from elements extracted from the natural world in order to alter their appearance; creating in the process a series of abstracted surface patterns that refer to or become an equivalent for the original. Derived from drawings executed in the landscape, the intention is to create a new, reinvented scene, in which the light and shadow of an undisciplined and wilful Limestone terrain is ordered and regulated; harmonised and made stable.

Brazilians On The Move – Group 6

tschallener — Fri, 13 Aug 2010 07:00:53 +0000

An exhibition of works by Ana Cockerill, Carlos de Lins, Carmen Penido, Denise Pitagoras, Inha Bastos & Graca Ramos

Private View: Friday 13th of August 2010 - 6.00 pm to 11.00 pm
Exhibition runs from: Friday 13th of August 2010 - Thursday 19th of August 2010
Gallery Opening Hours: Mon, Tues, Wed, Fri: 11.00 am to 6.30 pm
Sat: 12.30pm - 5.00 pm
Last day of Exhibition: Thursday 19th of August: 10.00am to 5.00pm

‘Brazilians On The Move - 6‘ is a touring exhibition of works by six contemporary Brazilian artists.

This body of work shows the British viewer that present-day Brazilian art is equally cutting-edge as well as thought-provoking. The combined styles of these six artists are vibrant, introspective as well as reflecting poignancy. The viewer is offered a unique interplay between abstract and figurative art.

Carmen Penido blends the dominant abstraction of large forms with the detailed realism of minute images repeated in series in a singular composition that offers a provocative paradox.” Matilde Matos (ABCA and AICA). In her recent works she addresses more than mere fragments of tiles. The works are allegories and symbols that form a continuous flow that allows no rest for the eye. She intentionally creates a dialogue between the sacred and profane, which is reflected in her use of Portuguese tile motifs, as well as her use of Baroque aesthetics and African patterns. The Baroque Angel, a constant presence in all her works became a registered mark of her works. “I create quasi-real fragments that form quasi-landscapes that harmoniously come together to compose a sophisticated panel of the Bahian identity. I work the canvas as if I was embroidering a tapestry, stitch by stitch and I resource to volutes as a backbone, the trace of union among the various phases of my work.” (Carmen Penido 2010) http://www.carmenpenido.art.br/index.htm

Ana Cockerill’s current work is inspired by a subjective observation of images, forms and ordinary views. The initial stage of her creative process is aroused by a random object. She then plays with this chosen item, multiplying and altering it according to what her imagination dictates. The ‘here and now’, represented by the captured object, may interweave with memories as the work develops. Shadows appear and disappear, lines are produced and colours are changed. The main question raised within her creative process is: does the chosen object retain or lose its intrinsic characteristic? Ana Cockerill lives in London since 1987. She was born in Teofilo Otoni, Minas Gerais, and grew up in Salvador, Bahia. She obtained a BA (Hons) in Fine Art from the Federal University of Bahia, in the late 1970’s, and subsequently studied Conservation & Restoration (Brazil and Portugal). Later on ,in 2003, she acquired a Post Graduate Dip (MA) in Art Psychotherapy from the Goldsmith University of London. E-mail: anamar.br@hotmail.co.uk

Carlos de Lins has always been intrigued by the feelings of emptiness and desolation that can emanate from modern buildings. To many people such buildings are expensive but not very interesting; they tend to dominate and sterilise their environment. For de Lins perhaps these buildings are devoid of the human element. Currently the artist is working on a series of canvases entitled “Linescapes” exploring human relationships with today’s megalithic cityscapes and above all the giant concrete and glass towers which delimit their horizons. The use of drawing articulates the idea of space and the application of colour creates the atmosphere. Colour and form are deployed to provoke an emotional response. “By de-constructing and then re-constructing elements of my subject matter I am trying to evoke an idea of space: an idyllic space which allows the viewer’s imagination to break through.” (Carlos de Lins 2010) http://connectionsartshow.blogspot.com/

Graca Ramos with her series ‘Modified Bodies’ questions the future of human genetics as well as the increasing use of humans as lab-rats for clinical experiments and studies, which has been a premonition of various artists and scientists since the twentieth century. The creation of cyborgs to replace the human labour force is already a reality allowing the dehumanization of production by creating a third gender, the automatic machine. “My work seeks to portray this reality of contemporary society, beyond what is a wake-up call for future generations.” (Graca Ramos 2010) She is a titular lecturer in the MA course of Visual Arts at the Federal University of Bahia, Brazil. She was born in Feira de Santana, in 1948, and in the early 1970’s, she graduated in Fine Art BA (Hons) from this same university. Later on, in 1980, she gained an MA qualification in Art and Education, from the Pennsylvania State University - USA E-mail: graca.ramos@terra.com.br http://www.gracaramos.blogspot.com

Denise Pitagoras as well as being an Artist, she is also a Poet and Educator, and was born in Canavieiras, a historic town on the cocoa coast of Brazil. She started to develop an interest in Art Engraving (especially in Xilography), when she was only seventeen. During that time she was working as a technician with the famous xilography master, Hansen Bahia, in his studio in Salvador. With her ‘master’s’ encouragement , she began to explore further her interest in art , and in the early 1970’s she obtained a BA (Hons) in Design and Fine Arts from the Federal University of Bahia. From that time she started a vast production of engravings and exhibited her work in Brazil as well as abroad, participating in projects organised by the Itamaraty (Brazilian Foreign Office), Embassies and universities. E-mail: denisepitagoras@hotmail.com

Inha Bastos: At a time when the TV audience rise on behalf of soap opera chapters often against women, Inha Bastos would address in her paintings the comprehensive feminine universe that protects and that needs to be protected. She looks at femininity aiming to explore and express the charming, sensitive and passionate aspects of women, and uses a sincere and poetic language in paintings evoking an ephemeral density. Her compositions are rich with details which can either reveal innocence or an erotic appeal. Inha studied at the School of Fine Arts of The Federal University of Bahia and became a bachelor in Fine Art in 1974. From that time she has painted continuously and exhibited both collectively and individually in Brazil and abroad, including in France, Italy and Germany. E-mail: inha.bastos@gmail.com

5X5: A photographic Journey by Yann Sivault

tschallener — Fri, 06 Aug 2010 07:00:56 +0000

Private View: Friday 6th of August 2010 - 6.00 pm to 1.00 am
Exhibition runs from: Friday 6th of August - Saturday 7th of August 2010
Gallery Opening Hours: Fri: 11.00 am to 6.00 pm
Last day of Exhibition: Sat: 12.30pm - 5.00 pm

5X5 is a visual diary of five photographic series representing Yann Sivault’s five favourite places he has visited or lived in across the world.

This forthcoming exhibition takes the viewer on a vivid yet intimate journey into Yann’s vision of the world through his view finder. Each individual shot reverberates with memory and explorations of places that the conventional tourist rarely gets to discover.

This forthcoming exhibition will show a wide selection of photographic works depicting the suburbs of Paris, Calcutta in India, Tokyo in Japan, Quito in Ecuador and London.

All photographs were taken between 2000 until 2010 using his traditional film camera Pentax K1000.

Mail Me Art: Medium Without a Message

tschallener — Fri, 30 Jul 2010 07:00:55 +0000

An exhibition of Mail Art with an amazing collection of envelopes and boxes from around the world decorated by some of today’s most talented illustrators and artists

Exhibition Opens: Friday 30th of July 2010 - 6.00 pm to 11.00 pm (All Welcome!)
Exhibition runs from: Friday 30th of July - Thursday 5th of August 2010
Opening Hours: Fri, Mon, Tues, Wed: 11.00 am to 6.30 pm - Sat: 12.30 pm - 5.00 pm
Last day of Exhibition: Thurs 5th of August: 10.00 am to 5.00 pm

‘Mail Me Art: Medium Without a Message’ is the follow-up to the successful 2008 Mail Me Art: Going Postal with the World’s Best Illustrators and Designers.

We are proud to announce we have over 700 new pieces of mail art for you to view and buy at the Red Gate Gallery (London) in July 2010. The ‘Medium Without a Message’ exhibition will be an amazing collection of envelopes and boxes from around the world decorated by some of today’s most talented illustrators and artists.

What makes the work special is that every single piece of art was sent through the postal system, exposed and on view as regular mail. We will be displaying the art at the exhibition in its delivered state, as handled by the postal workers during transit! This will be your last chance to see the collection as a whole before the work is sold to private collectors. For a limited time during the exhibition advance and signed copies of the book: ‘Mail Me Art: Medium Without a Message’ along with ‘Mail Me Art: Going Postal’ will be available to purchase from Red Gate Gallery or directly from http://mailmeart.com

Ellipsis…what’s unsaid

tschallener — Fri, 23 Jul 2010 07:00:03 +0000

Ellipsis brings together a group of exciting London artists to explore the withheld, the omitted, the implied…what’s unsaid.

Private View: Friday 23rd of July 2010 - 6.00 pm to 11.00 pm
Exhibition runs from: Friday 23rd of July - Thursday 29th of July 2010
Opening Hours: Fri, Mon, Tues, Wed: 11.00 am to 6.30 pm - Sat: 12.30 pm - 5.00 pm
Last day of Exhibition: Thurs 29th of July: 10.00 am to 5.00 pm

Ellipsis (from the Greek: λλειψις, élleipsis, “omission”): a series of dots that indicate an intentional omission of a word or phrase from a sentence; a pause in speech; an unfinished thought; a trailing off into nothing…

Embodying the duality of something deliberately withheld or cut off which simultaneously implies the potential of more to come, Ellipsis opens up a world of understatement and ambiguity.

It is a concept inherent in the production and exhibition of art, where creators articulate their ideas, theories, and deepest emotions through the manipulation of materials, sending the resulting works of art out into the world where they must speak for themselves.

Working in a diverse range of media, each Ellipsis artist employs their own visual language to explore this most elusive concept. Lifting the shroud of silence, they may choose to make the implicit explicit, or simply keep you guessing…

Artists:

Sonia Ali manipulates canvas into sculptural formations, inviting the viewer to reconsider beauty whilst further pushing the textural boundaries of print and paint ● Maxime Angel’s art exists in the performance of a moment captured in a drawing that represents that moment for the rest of the performative aspect of her existence ● Laura Bushell works in video and drawing, exploring the act of deconstruction and re-articulation through both artistic and mechanical duplication processes to question ideas of truth ● Ewan Eason investigates the interplay of contrasts - the notion that one drives the other. Death / life, loose / rigid, serious / funny, hard / soft, light / dark are familiar themes within his work ● Matthew Holder explores paint’s aesthetic qualities to combine and undermine illusionism, creating a dynamic surface referencing sensations and concepts of power, decay, and natural phenomena ● Katie Honan draws and paints to explore how people are constructed through the process of storytelling and its imaginary worlds, aiming to reinstate a sense of wonder in the viewer ● Lucinda Lloyd’s installations explore the theme of identity, questioning the fragility/stability of the human condition; evoking nostalgia or hope, provoking personal narratives into shared dialogues ● Lucy Whitford works in print, ceramics and installation, using the pre-existing relationships we have with everyday objects to explore our response to small moments that lead to irreversible change.

Ellipsis is curated by Lucy Whitford and Laura Bushell.

Contact: ellipsisshow@googlemail.com

The Four Humours

tschallener — Fri, 16 Jul 2010 07:00:37 +0000

An exhibition of works by Charlotte Jonsmyr, Daniel Lyon, J M F Casey, Hin

Private View: Friday 16th of July 2010 - 6.00 pm to 11.00 pm
Exhibition runs from: Friday 16th of July 2010 - Thursday 22nd of July 2010
Opening Hours: Fri, Mon, Tues, Wed: 11.00 am to 6.30 pm - Sat: 12.30pm - 5.00 pm
Last day of Exhibition: Thurs 22nd of July: 10.00am to 5.00pm

Temperament theory has its roots in the ancient Four Humours theory. It may have origins in ancient Mesopotamia, but it was the Greek physician Hippocrates (460-370 BC) who systemized and developed it into a medical theory. He believed certain human moods, emotions and behaviours were caused by body fluids, called “humours”.

Later this same theory was type cast as different temperaments displayed in human beings; namely the Sanguine, Choleric, Melancholic & Phlegmatic. This forthcoming exhibition displays works by four different artists who each in their own dialectic explore the four humours. The common denominator of this group showing is that the realms of the acceptable norm are certainly pushed. These works cannot be ignored or brushed off as simply ‘nice pictures’; each individual piece wells up with depth of thought, dark humour, emotion and striking imagery, challenging our views of what can and cannot be classified as beautiful.

Charlotte Jonsmyr mainly works with portraiture of disfigured and physically handicapped people. All her subjects for her portraits are images found on the internet, which are then altered in costumes, accessories, situation and environment. Jonsmyr challenges the classical aesthetic establishment of oil painting with black humour as an accessible means to understand more serious underlying issues. Jonsmyr originally from Norway, lives and works in London.

Daniel Lyon was born in Jamaica and subsequently has taken to a nomadic life style, dwelling in countries such as Bangladesh, Singapore, Britain, Jamaica and Latvia. Lyon throughout his itinerant journeys has delved into various schools of thought, such as philosophy, critical pedagogy, psycho-analysis, mythology, spirituality and the occult. All of the above form a heady brew from which he draws his creations. He studied Special Effects in London and taught himself to paint.

J M F Casey’s practice was born from a natural propensity toward images of a morbid, violent or melancholic nature, a tendency that he seeks to understand and enrich through extended research. These investigations have led him towards increasingly ominous and esoteric subject matters, illustrated with imagery drawn from an array of sources, including medieval art, war photography, horror films and pornography. Primarily executed in monochrome scratch painting, his work alludes to poetic, historic or philosophic concepts. Akin to Baudelaire’s proclaimed task of extracting “Beauty from Evil”, his practice is concerned with the amoral redemptive quality of art.

Hin, a painter-illustrator, born in Hong Kong, China, moved to Britain aged twelve. Hin’s artistic background was formed by comics, such as Manga as well as by Chinese traditional watercolour painting. Now based in London, Hin created the art group ELAC (East London Art Company) in March 2007. Graduating from Kent Institute of Art & Design in 2004, Hin then moved to Brussels in 2005 to continue a one year Fine Art Post-Graduate course. “Human as an individual is a genius as well as an idiot. I feel no contradiction towards God, but I do for Human, including myself. Trauma and joy is never far apart, and my attempt is to find harmony within.” (Hin 2010)

Last orders at the bar: The demise of the Great British Pub

tschallener — Fri, 09 Jul 2010 07:00:52 +0000

An exhibition of photographic works by Chris Etchells

Private View: Friday 9th of July 2010 - 6 pm to 11 pm
Exhibition runs from: Friday 9th of July - Thursday 15th of July 2010
Gallery Opening Hours: Mon - Fri: 11am to 6.30 pm - Sat: 12.30 pm - 5.00 pm
Last day of Exhibition: Thursday 15th of July: 10.00 am to 5.00 pm

Just because something is broken doesn’t mean it is not beautiful. The pub is a symbol of Britain. It provides us with a sense of place, of community and best if all a welcoming place in which to enjoy a pint.

The series ‘Last orders at the Bar’ documents the loss of the traditional British pub. Each image presents us with a once thriving hub of the community, now empty and alone. Whether nestled within a busy street, or hidden away within a forgotten rural setting; amongst the demolition and dereliction lays architectural gems sodden with memories of times past. Each image pertains to a lost charm ravaged by twenty-first century life. On one level this exhibition is emphasising the juxtaposition of the ‘ordinary’ and the ‘everyday’ through the filter of Etchells’ creative lens. The decline of the traditional pub refers back to a bygone era.

Is it the loss of a mundane place that concerns us or is it simply our nostalgia for such places? Implicit within these images is a temporal sense of narrative history: Someone somewhere will have an experience, a memory, or a story to tell about the time spent in one of these pubs.

These photographs act not as an obituary for the British public house, but as a petition against their decline as well as a testament to a different epoch.

Chris Etchells was born in New Mills, Derbyshire in 1979. He qualified as a press photographer in 1997 and has lived and worked in Gainsborough, Lincolnshire for the last 12 years.

www.chrisetchells.co.uk

Submerged

tschallener — Fri, 02 Jul 2010 07:00:37 +0000

An exhibition of installation works by Ilse Mikula

Private View: Friday 2nd of July 2010 - 6 pm to 11 pm
Exhibition runs from: Friday 2nd of July - Thursday 8th of July 2010
Gallery Opening Hours: Mon - Fri: 11am to 6.30 pm - Sat: 12.30 pm - 5.00 pm
Last day of Exhibition: Thursday 8th of July: 10.00 am to 5.00 pm

Ilse Mikula endeavours to explore what links us to a place and a sense of belonging. When we are in a place, it is determined by its physicality and spatial limitation, once we leave the location, all that links us to the space is a process of reminiscence and emotional reflections. Thus through absence the place becomes memory.

Mikula
first explored this concept with her project "Solis Journey". The
intervention entailed the displacement of a laundrette as a 3-D photographic
representation in the form of multiple light-boxes which were then placed on
the banks of the river Thames. The small laundrette light-boxes removed from
their original form & functionality seemed to occupy in essence more of
what they actually were; vessels for often migrant people’ to the UK's
thoughts, senses of longing & nostalgia.  Later the light-boxes were
floated on the river and when photographed became abstract and fleeting.

These
ideas were again revisited through her work “Departure”. Inspired by a chance
meeting with 89 year old retired shepherd, Stanley Akrigg, Mikula, visited his
dry stone walls and began to explore the nature of nostalgia when related to a
certain space (your childhood home for instance). Stanley Akrigg completed
nearly 8 miles of dry stone wall which could be considered as a physical
imprint of his time there. In “Departure” Mikula relocated Stanley’s wall in
her Chelsea degree show, accompanied by his voiceover of recollections
associated with this place invoking a profound sense of place and memory.

Ilse
Mikula is continuing conceptual ideas of place in her present and future work.
She comments: "I’m further
displacing “Departure” within other physical contexts. The work for my
forthcoming show at Red Gate Gallery, will display a WW1 U-boat lying partially
submerged in the floor of the gallery, its menacing presence and place in
history, is re-interpreted. This comes from my personal investigation of an
event which involved my great-grandfather. Event rather than place becomes the
link, for the place is in the middle of the ocean. The place itself remains
intangible.

BREAKING OUT

tschallener — Fri, 25 Jun 2010 07:00:27 +0000

A group exhibition of works by young offenders, ex-offenders and those at risk of re-offending

Organised by Art Alive Arts Trust

Private View: Friday 25th of June 2010 - 6 pm to 11 pm
Exhibition runs from: Friday 25th of June 2010 - Thursday 1st of July 2010
Gallery Opening Hours: Mon, Tues, Wed, Fri: 11 am to 6.30 pm - Sat: 12.30pm - 5.00 pm
Last day of Exhibition:Thurs 1st of July: 10.00 am to 5.00 pm

Art Alive Arts Trust is proud to present an exhibition of art works created by young offenders, ex-offenders and those at risk of re-offending as well as pieces by tutors of the trust.

Art Alive Arts Trust is a registered charity that has been at the forefront of community work with offenders, ex-offenders and people on the fringe of society. For a number of years the trust has actively worked with prisons in London and the Probation Service.

This exhibition is an opportunity for members of the public, civil servants, third sector workers and members of various institutions to see what the trust’s clients are capable of creatively. Most works will be for sale with the proceeds going directly to the artists, with the aim to further financial independence.

The trust endeavours to bring together, through the creative process of art, excluded communities in London, to improve their relationships, to involve youth and adults in a practical, socially responsible way as well as to promote cultural diversity in Britain. The project ‘Unity Through Art’ encourages possibilities of employment for artists and volunteers alike.

Art Alive Arts Trust hope for support of the business community and through that support as well as raising awareness will further community life and ultimately improve life in the Capital.

Please come and support our work and immerse yourself in hitherto unseen works of art that are totally original, breathtaking and unique!! (Art Alive Trust, Lanre Olagoke 2010)

For further information please contact Lanre Olagoke on:

07944 476 459 /lanre@artalive.org.uk